New placements (with a video clip!)

The last couple of months have been pretty good to me. I've been getting some regular placements in a couple of new shows, Proving Ground on G4TV and Surprise Homecoming on TLC. In both cases, I'm seeing, or should I say hearing :-) some tracks that I wrote and pitched specifically for those shows. Both of the shows also contain some personal "records" for me in terms of placements. In the Harry Potter episode of Proving Ground, I had the most placements ever in any one episode of a show with a total of 14. And in this most recent episode of Surprise Homecoming, I had my longest placement with a total length of 1:16.

It's a great feeling to be watching the show and then hear a cue that you wrote specifically for a certain type of scene, actually show up in the show AND get used in that type of scene! In this specific case, I'm referring to most recent episode of Homecoming and the "reveal" scenes. I had four cues used in this most recent episode with two of them being the "reveal" scenes. I've posted a clip below of one of those scenes. The cue is used from the beginning of the clip until the family "turns around" and it's a piece that I co-wrote with my dear friend Lydia Ashton.



It's been fun watching these shows with my wife next to me. Every time one of my cues starts I'll point to the TV and exclaim "MINE!!!" with the giddiness of a little kid at Christmas time. Though I've been writing music for a while, I'm still kinda new to the film and TV music aspect of the biz, and so far, the new-ness of hearing my music on TV has to yet wear off. I don't think it ever will. This business is tough and I feel I've been very blessed to see my placement totals continue to increase on a weekly, and in some cases, daily basis.

Some other recent placements that I've had would be in the shows Curb Appeal (HGTV), I Hate My Kitchen (DIY), 10 Grand In Your Hand (DIY) and according to my ASCAP international statement, an episode of America's Got Talent that played in the United Kingdom.

Like I said, the last couple of months have been pretty good to me. Can't wait to see what the rest of the year holds!

August Update

It has been a rather eventful summer to say the least. A couple of days after my last blog post my parents came down to visit. It was a short visit but a great one filled with lots of laughter and food. In other words, a typical family visit :-)

A few days after that I had a chance to write some music for a new reality show about a pest control service. Not sure if I'm allowed to say more than that at this time. I ended up writing and signing some new tracks in a couple of genres that were new for me, classic rock and hip-hop.

A couple of days later I got an opportunity to write some tracks for a new show that recently debuted on TLC called Surprise Homecoming, hosted by Billy Ray Cyrus. The show is about soldiers returning home from war and surprising their loved ones. It was a very quick turnaround time for the new cues as the show was already being edited. I wrote a few cues and I also did some co-writing with a couple dear friends, Lydia Ashton and Cathleen Weinrich, both of whom are amazing musicians. Cathleen and I had two tracks signed and Lydia and I had four tracks signed.

An update

I've got another blog entry coming up for the contest I'm in but before I get to that, let me get everyone up to speed on what's been going on the last few weeks. There have been several things that have both helped me stay focused and at the same time keep me distracted.

The short version is that it took me a few weeks to really work through the grief of losing our cat, Grey. There were several days that I just didn't feel like doing anything with music or being active online with Twitter or Facebook, and for the most part I didn't. Now let me say, I'm not one for drama and I'm not out for attention. I wouldn't go so far to say that I was depressed, but I was definitely not myself.

Even today, I still miss our cat but I think the grief is over with. One reason for that is we are now the owners of TWO cats - Ronan (the tabby on the left) and Teyla (the calico on the right). And to any Stargate: Atlantis fans out there, the answer is "yes" but I'll save that story for another day. Needless to say, they have definitely filled a void that our last cat left, and it definitely took the both of them to fill that hole.

Another distraction for me is college basketball season is in full effect right now. My love for music is equaled (some might even say surpassed) by my love for Kentucky Wildcats basketball. And with the season we're having, especially compared to the last two-four years, I'm in hoops heaven right now.

But all has not been lost. There were a couple of weeks in which I actually was very productive on the music front, thanks in part to one of my friends and colleagues, Lydia Ashton. She gave me a chance to work with her on scoring the music for a short action/drama film. We had a quick turnaround time (2 weeks, start to finish) but we were able to get it done in time and the director really liked the stuff we came up with. I'll put a link up to the film as soon as I get one.

This was my second score-to-picture gig and I gotta say that I absolutely loved it. We had to stay close to the temp music, which was fine, but we still had a chance to be creative. I enjoy the challenge of trying to write something that's similar to what the director originally heard when they put in the temp music but is still original and unique and sounds like me. THAT... is fun.

One of the most exciting things that I took from that project was getting to write my first ever non-guitar and non-drum kit based cue. Typically, every piece of music I've ever written has either started with a guitar riff (electric or acoustic) or a groove on the drum kit. But while working on this film, I got to write a cue that was based more on synth pads, ambient sounds, percussion and strings. I had a blast! Once I figure out a "formula", I hope to start knocking out some more cues like that.

Speaking of cues like that... Earlier tonight I got an offer to work on another project for one of the larger libraries that I write for. I'll only be writing a couple of cues for this one. It's a VERY quick turnaround but should be fun.

Until next time...

Scoring to Film, Part 1

It was about a month ago that I was first approached about writing an acoustic guitar score for an indie documentary film. I was very excited about the possibilities but also, a bit nervous as I had never attempted to do that before. I got the opportunity thanks to my friend Lydia Ashton, an incredible composer that I met via the TAXI online forum site (see, ANOTHER reason to consider TAXI). She and I had been working on another project together (which I'll blog about in the future once it's all finalized) when she asked me about assisting her with a documentary that she was working on.

Before I could start on it, I had a phone call with the producer of the film. We went over some of the things he was hoping to hear music-wise in the section that I would be working on, as well as some general background info. It was a great conversation and I was excited to get started right away.

Later that night he sent me a video with the time code display box of the section of the film that I would be scoring, along with some examples of songs/sounds that he was looking to hear for various sections. I also had a copy of the entire film with the temp tracks in place so that I could hear a general idea of what the producer had in mind.

Before I actually spoke to him, I did some research to try and get a gauge on the types of questions I should be asking. I wanted to be prepared. So based on that research, one of my first questions to him was "How married are you to the temp tracks that you used?"

I had read a few stories where some producers had gotten so used to the temp tracks that anything else that was used, just didn't work for them, and they would end up licensing the temp tracks in the end. So I wanted to know what kind of battle I was in for. And while he did like the feel of the temp tracks, he was certain that he wasn't married to any of them.

So armed with the freedom that knowledge provided, I began the process of writing the score.

More to come in Part 2!

Until next time...
- Big Blue